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Recycled

by Scrap Iron Sun

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1.
Fuse 03:50
Fuse Verse 1: I’m the kind of person who never quite gets uptight. I never really show any anger out right. My mother brought me up to always act kind and nice. I don’t lose my temper or blow up and get in fights, ‘cause Chorus: I’ve got a long, long, fuse. I’ve got a long, long, fuse. mI’ve got a long, long, fuse, And it’s been burnin’ a long time for you. Verse 2: When you take advantage I look the other way. If you take for granted I don’t have much to say. All of your vices I try to tolerate. If you need a shoulder I never hesitate, ‘cause Chorus: I’ve got a long, long, fuse. I’ve got a long, long, fuse. I’ve got a long, long, fuse, And it’s been burnin’ a long time for you. Bridge: I’ve got the patience of Job, Or so I’ m told. Verse 3: I’m sitting here politely smiling at you, Listening congenially to you tell me what to do, Telling me how to think and what to believe is true, Trying hard not to choke the shit out of you ‘cause Coda: I’ve got a long, long, fuse. I’ve got a long, long, fuse. I’ve got a long, long, fuse, And it’s been burnin’ a long time now. I’ve got a long, long, fuse. I’ve got a long, long, fuse. I’ve got a long, long, fuse, And the longer you burn it the shorter it gets, And it’s been burnin’ a long time for you.
2.
Whipping Boy 04:01
Whipping Boy Verse 1: Whipping boy, take your punishment for you. Whipping boy, suffer all your pain for you. Whipping boy, does your conscience bother you? Verse 2: Whipping boy, someone who can take the blame. Whipping boy, pass him all your guilt and shame. Whipping boy, call him by another name. Bridge: Call him your lover, call him your friend, Call him your brother, and call him your man. Call him your husband, now it’s all the same. He’s still your whipping boy by any other name, baby. Verse 3: Whipping boy, if it’s all the same to you, Whipping boy, I don’t care, go ahead, whip someone new. I ain’t your whipping boy anymore. My wounds can heal now that we’re through. Coda: Whipping boy, to take your punishment for you. You need a whipping boy, to suffer all your pain for you. Now tell me whipping boy, does your conscience bother you? Does your conscience bother you? Does your conscience bother you? Does your conscience bother you? Does your conscience bother you? … Hell no!
3.
Friday, June 28th Verse 1: I, I can’t read your mind Won’t read between the lines Can’t read the look in your eyes ‘Cause once, once upon a time I’d believe what I What I read into every smile I saw Verse 2: You, you may think that I’m fine You may want to be mine But I may never cross your mind, So I, I’d rather be alone Than pay the price to learn The same thing I learned every time before Bridge: There’s nothing I’d like better Than to be close to you, But baby I know better, An inch from you is as good as a mile. Coda: Too close for comfort, Too close for me to breathe Too close for comfort, Too close for me to breathe Ah… Ah…. Ah…. Ah…
4.
Sometimes 04:21
Sometimes Verse 1: Somedays I've got no place to go. Just sit back all day and take it slow. What's the use of running here and there, When nothing satisfies me anywhere? Somedays I've got no place to go. Verse 2: Somedays I don't have much to say. Too much noise just blows my mind away. Why should I search for words to say, When no one listens anyway? Somedays I don't have much to say. Bridge: Spend my time taking it easy. I don't care if people think that I'm lazy. The way they live, I think they're all crazy. I'll spend my time anyway it pleases me. Verse 3: Sometimes I find I can't sit still. Too much to do, I 've got no time to kill. When other people cramp my style I'll do it their way for a while. Sometimes I find I can't sit still. Bridge: Spend my time taking it easy. I don't care if people think that I'm lazy. The way they live, I think they're all crazy. I'll spend my time anyway it pleases me. Verse 4: Sometimes I don’t have much to do. Get so bored when there's nothing new. Just take it as it is day by day, Sit around and let it come my way. Sometimes I don't have much to do.
5.
Born Losers 04:45
Born Losers Verse 1: It looks so good on you. The fit is really you. It makes you look so much better than ever. With the Goth tattoos and the green hairdo You’ve followed it down to the letter. You’ve got the ring in your nose, So the crowd can lead you anywhere it goes. It’s not so easy just to be yourself, so You might as well be somebody else because you’re Chorus: Ordinary and commonplace, Born to lose the human race. Because your friends are all doing it you must Fall in line and keep in step to be cool Verse 2: Such a pretty face causing tidal waves With a body that’s willing and able. Always keeping pace with ev’ry fashion craze Making sure of the name on the label But, when the makeup comes off, Do you know who you are or do you feel a bit lost? Is it a personality you lack That forces you to hide behind that painted mask? Because you’re Chorus: Ordinary and commonplace, A born loser of the human race. Because ev’rybody’s doing it, you must Fall in line and keep in step, ‘cause they’re so cruel. Verse 3: In their pinstripe suits with their wingtip shoes And their briefcases made all of leather. Their secretary’s so cute, and if their wives only knew What they do when they have to work later. To make your way to the top you must Work your hardest and never stop. Executive material with the Brownest of noses have been doing their part. Because they’re Chorus: Ordinary and commonplace, Born losers of the human race. Because the company requires it you must Fall in line and keep in step or you’re through. Verse 4: In my faded blue jeans it’s just so hard to be seen when you’re Faceless and lost in the crowd. Obscurity’s a blast in the great unwashed mass. To be anonymous makes me so proud. Remain the same as I’ve been. I don’t care if my style is out or if it’s in. Eventually it’ll come around again and you’ll be Following me until the bitter end. Because you’re Chorus: Ordinary and commonplace, Born losers of the human race. Because ev’rybody’s doing it, you must Fall in line and keep in step. So what’s new? Who’s following who? Coda: Ordinary and commonplace, Born losers of the human race. Everybody is doing it so you must Fall in line and keep in step. Because we’re Ordinary and commonplace, Born losers of the human race. Because everybody’s doing it you must Fall in line and keep in step. We’re all so Ordinary and commonplace, Born losers of the human race...
6.
Can't 02:16
Can't Verse 1: Can't make it. Can't break it. Can't put up and I won't shut up. Chorus: Guess I'm worthless, Worthless, worthless. Verse 2: Can't sink. Can't swim. Can't shape up and I won't ship out. Chorus: I Guess I'm worthless, Worthless, worthless. Verse 3: Can't play. Can't pay. Can't use it. I can't lose it. Chorus: Guess I'm just worthless, Worthless, worthless. Worthless! Instrumantal (If you can't stand the heat, get out of the kitchen!) Verse 4: Can't kiss ass. No knee pads Not a yes man. I ain't no mouse. Chorus: I guess that just makes me worthless, Worthless, worthless. Worthless, worthless. Worthless, worthless. Coda: Worthless! Worthless! Worthless! Worthless!
7.
Come to Me 03:51
Come to Me Verse 1: Babe, you look so blue. Is there anything I can do for you? To ease the pain and ease the strain And drive the doubt and fear from you? Oh, don’t you know When you’ve got no place to go You can come to me? Verse 2: Hey, what can I do? I’ve given all I’ve got to give to you, But if you want more just say the word And I’ll be glad to beg and steal for you. Oh, don’t you know When you’ve got no place to go You can come to me? Chorus: Come to me when you’re down and out And the whole world is at your door. Come to me when your time runs out And you still seem to want for more. Can’t you see You can always come to me, come to me? Verse 3: Hey, what can I say? You’re never gonna find a better way To ease the pain and ease the strain And drive the doubt and fear away. Oh don’t you know When you’ve got no place to go You can come to me? Chorus: Come to me when you’re down and out And the whole world is at your door. Come to me when your time runs out And you still seem to want for more. Can’t you see You can always come to me, come to me? Chorus: Come to me when you’re down and out And the whole world is at your door. Come to me when your time runs out And you still seem to want for more. Can’t you see You can always come to me, come to me? Verse 4: Hey, what can I say? You’re never gonna find a better way To ease the pain and ease the strain And drive the doubt and fear away. Oh don’t you know When you’ve got no place to go You can come to me? Chorus: Come to me when you’re down and out And the whole world is at your door. Come to me when your time runs out And you still seem to want for more. Can’t you see You can always come to me, come to me? Coda: Come to me. Come to me Come to me. Come to me.
8.
The Good, The Bad, And The Ugly Huaah! (Bueno, Malo, Feo)
9.
Put Your Head In The Sand Chorus: Put your head in the sand, Your head in the sand. Put your head in the sand Where it’s warm and safe and cozy. Put your head in the sand Ain’t nothin’ happenin’ Everything’s so rosy With your head in the sand. Verse 1: Why should you worry ‘bout Things you can’t see. It couldn’t possibly hurt you. Everything’s fine As long as you have me. I’ll watch your back sticking out behind you, so Chorus: Put your head in the sand, Your head in the sand. Put your head in the sand Where it’s warm and safe and cozy. Put your head in the sand Ain’t nothin’ happenin’ Everything’s so rosy With your head in the sand. Verse 2: Everything is fine. No need to think about it. That’s my job. That’s what I’m here for. So, you can spend your time Frolicking in the sunshine Without your problems crossing your mind. So, Chorus: Put your head in the sand, Your head in the sand. Put your head in the sand Where it’s warm and safe and cozy. Put your head in the sand Ain’t nothin’ happenin’ Everything’s so rosy With your head in the sand. Verse 3: I’ll take you back to Kansas. Believe me, you can trust me. I would never lie to you. Ignore the man behind the curtain What he’s doing does not concern you My balloon’s filled up with hot air We’ll just float right out of here, so Chorus: Put your head in the sand, Your head in the sand. Put your head in the sand Where it’s warm and safe and cozy. Put your head in the sand Ain’t nothin’ happenin’ Everything’s so rosy With your head in the sand.
10.
Baby Of The Family Verse 1: All at once the spotlight is upon me And I didn’t turn out the way I’m supposed to be. No one thinks that I’m living in reality, Just because I’m the baby of the family. Verse 2: No one trusts me with responsibility. I’m thirty-six and you’re still talking down to me. My hopes and dreams are never taken seriously, Just because I’m the baby of the family. Chorus: Aaaaaaaaaaaarrrgggghh! Aaaaaaaaaaaarrrrrrrrrgggg! Aaaaaaaaaaggggggggghhhhh! Aaaaaaaaaarrrrrraaaagggghhh! Verse 3: Bear the brunt of all the sibling rivalry, Because they say you gave everything to me. What I got was hand-me-downs that didn’t fit me. That’s what you get when you’re the baby of the family. Chorus: Aaaaaaaaaaaarrrgggghh! Aaaaaaaaaaaarrrrrrrrrgggg! Aaaaaaaaaaggggggggghhhhh! Aaaaaaaaaarrrrrraaaagggghhh! Verse 4: All at once the spotlight is upon me No one thinks that I’m living in reality, Just because I’m the baby of the family. Coda: Just because I’m the baby of the family! Just because I’m the baby of the family! Just because I’m the baby of the family! Just because I’m the baby of the family! Just because I’m the baby of the family! Just because I’m the baby of the family! Just because I’m the baby of the family! Just because I’m the baby of the family!
11.
I Even Love The Way You Put Me Down Verse 1: I love you baby, I love your style. I love you baby, I love your smile. I love the way you walk. I love the way you talk. I love the way you look. Babe, I could write a book. I love everything about you. Chorus: I even love the way you put me down. I even love the way you put me down. Verse 2: I love your face. I love your lips. I’d love to feel your fingertips. I love your hazel eyes. I love your sweet white lies. I’d love to touch your skin. We could commit a sin. I love everything about you. Chorus: I even love the way you put me down. I even love the way you put me down. Verse 3: I’d love to give you everything you see. I’d love to see you walking next to me. I’d love to kiss your lips. I’d love to squeeze... You’re such an awful tease. You’ve got me on my knees. I’m begging you please. Chorus: I even love the way you put me down. I even love the way you put me down. I love everything about you. I even love the way you put me down. I even love the way you put me down. Are you listening to me? Coda: I even love you, even love you when you put me down. I even love you, even love you when you put me down. I even love you, even love you when you put me down. I even love you, even love you when you put me down. I even love you, even love you when you put me down. I even love you, even love you when you put me down. I even love you, even love you when you put me down. I even love you, even love you when you put me down.
12.
Did You Notice Verse 1: It was a sunny spring afternoon I gave my heart to you. You promised me our love would bloom. My expectations grew. But then you locked it away in your hope chest with the rest of your best and dearest possessions. So in the dark it was thrown all alone. It’s never known the love you promised would keep it growing. Verse 2: All through the long hot summer it never saw the sun. And though it pleaded for some water you gave it none. And as the leaves paled and fell in that Hell with the smell of musty, moldy autumn decay. And winter came with its cold and its snow and it froze to stone and you look at me surprised when I say Chorus: Did you notice when my heart stopped beating? Did you notice when it started bleeding? Did you noticed as our love lay rotting? Did you notice? Did you notice it died? Bridge: And it’s been locked away in your hope chest with the rest of your best and dearest possessions. Thrown away without remark into the dark, not a spark of warm emotion to keep love flowing. Verse 3: I’m going to need a transplant to a warmer clime, To someplace with wind and rain and bright sunshine. Then I’ll find someone who’ll come on the run with her green thumb never to abandon my heart Again. And you can take what’s in your hope chest and bury it and then forget about it like you did when it was alive. So don’t you look at me as if to say please stay, it’s OK I can make it up to you someday ‘cause Chorus: Did you notice when my heart stopped beating? Did you notice when it started bleeding? Did you noticed as our love lay rotting? Did you notice? Did you notice it died? Coda: Did you notice when my heart stopped beating? Did you notice when it started bleeding? Did you noticed as our love lay rotting? Did you notice? Did you notice it died? Did you notice? Did you notice? Did you notice? Did you notice it died? Did you notice? Did you notice? Did you notice? Did you notice it died?
13.
The Missing Link Verse 1: When the sky is red and you’re going out of your head, All the friends you knew left you without a clue, Everywhere you go brings you down so low. When you’ve had enough just Chorus: Turn away to me (The Missing Link). I’m the one who sees (The Missing Link). I’m the one you need (The Missing Link). I’ m the Missing Link (The Missing Link). The Missing Link. The Missing Link. Verse 2: When you discover you no longer trust your lover, You burn so hot until your brains are shot. It’ll get to you until you come unglued. When you’ve had enough just Chorus: Turn away to me (The Missing Link). I’m the one who sees (The Missing Link). I’m the one you need (The Missing Link). I’ m the Missing Link (The Missing Link). The Missing Link. The Missing Link. Verse 3: You feel you’ve been robbed and you find you hate your job, Sweat pours from your fingertips and blood drips from your lips. The day finally comes when you lay down your guns, and you’ve had enough just Chorus: Turn away to me (The Missing Link). I’m the one who sees (The Missing Link). I’m the one you need (The Missing Link). I’ m the Missing Link (The Missing Link). The Missing Link. The Missing Link. The Missing Link!
14.
I've Given You Everything Verse 1: I’ve given you this. I’ve given you that. I’ve given you the best. (I’ve given you everything!) I’ve given you my heart. I’ve given you my soul. I’ve given you control. (I’ve given you everything!) I’ve given you an inch. I’ve given you a mile. I’ve given in to style. (I’ve given you everything!) I’ve given up drinkin’. I’ve given up smokin’. I’ve given up hope. (I’ve given you everything!) Bridge 1: All I want back is your attention, A little love, a little affection All I get’s your indignation. Can’t you see you’re driving me to distraction? Instrumental Bridge 2: All I want back is your attention, A little love, a little affection. All I get’s your indignation. Can’t you see you’re driving me? Verse 2: I’ve given you this. I’ve given you that. I’ve given you the best. (I’ve given you everything!) I’ve given you my heart. I’ve given you my soul. I’ve given you control. (I’ve given you everything!) I’ve given you an inch. I’ve given you a mile. I’ve given in to style. (I’ve given you everything!) I’ve given up drinkin’. I’ve given up smokin’. I’ve given up hope. (I’ve given you everything!) Coda: I’ve given you, given in, given up, given you, given in, given up, (I’ve given you everything!) Given you, given in, given up, given you, given in, given up, given you, given in, (I’ve given you everything!) Given up, given you, given in, given up, given you, given in, given up, given you, (I’ve given you everything!) Given in, given up. I’ve given, given, given, given, given, given, (I’ve given you everything!) Given, given, given, given, given, given, given, given, (I’ve given you everything!) Given, given, given, given, given, given, given, given, (I’ve given you everything!) Given, given, given, given, given, given, given, given, (I’ve given you everything!) Given, given, give, give, give, give, give, give, give, give, give, give, give, give, (I’ve given you everything!) Give, give, give, give, give, give, give, give, give, give, give, give, give, give, give, give, (I’ve given you everything!) Give, give, give, give, give, give, give, give, give, give, give, give, give, give, give, give, (I’ve given you everything!) Give, give, give, give, give, give, give, give,give, give, give, give, give, give, give, give, (I’ve given you everything!) Given you everything!
15.
Can The Circle Be Unbroken? Chorus: Will the circle be unbroken, Bye and bye, Lord, bye and bye? There’s a better home awaiting In the sky, Lord, in the sky. Verse 1: I was standing by my window On a cold and cloudy day When I saw the hearse come rolling For to carry my mother away. Chorus: Will the circle be unbroken, Bye and bye, Lord, bye and bye? There’s a better home awaiting In the sky, Lord, in the sky. Verse 2: Lord, I told that undertaker Undertaker please drive slow For this body that you’re hauling Lord, I hate to see her go. Chorus: Will the circle be unbroken, Bye and bye, Lord, bye and bye? There’s a better home awaiting In the sky, Lord, in the sky. Chorus: Will the circle be unbroken, Bye and bye, Lord, bye and bye? There’s a better home awaiting In the sky, Lord, in the sky. Verse 3: I followed close behind her Tried to hold up and be brave But I could not hide my sorrow When they laid her in the grave. Chorus: Will the circle be unbroken, Bye and bye, Lord, bye and bye? There’s a better home awaiting In the sky, Lord, in the sky. Chorus: Will the circle be unbroken, Bye and bye, Lord, bye and bye? There’s a better home awaiting In the sky, Lord, in the sky.
16.
Nerves 01:25
Nerves Verse 1: My nerves are shot, My nerves are shot, My nerves are shot, My mind is racing without any thought. Verse 2: Nothing here makes sense, Nothing here makes sense, Nothing here makes sense, Everything around me is making me tens. Verse 3: I’m so confused, I’m so confused, I’m so confused, I’m so confused I can’t think of what to do. Verse 4: I’m such a nervous wreck, I’m such a nervous wreck, I’m such a nervous wreck, I’m bound to fall apart without a cigarette. Verse 5: Paranoia setting in, Paranoia setting in, Paranoia setting in, Paranoia setting in, My Mind Is in a spin

about

If the songs on Scrap Iron Sun’s latest effort, “Recycled,” sound as raw and unhinged as if the band has already been playing them live aggressively for years, it’s because many of the songs have been making the rounds as part of the band’s repertoire almost since the 2009 release of their debut album, “Getting a Rusty Tan.” However, this hasn’t stopped the inventive quartet from West Springfield, Massachusetts, from tinkering even with the songs that their fans are most familiar with. Frequent opener “Friday June 28th” gets a boost from an inventive horn section, and rocker “The Missing Link” sounds even more melodic with extra backing vocals from guitarist and main songwriter Scott Cleveland. However, a full appreciation of Scrap Iron Sun’s sound and creative process also requires an overview of the band’s brief but very active history.
In 2009, Cleveland and his longtime collaborator, guitarist, vocalist, and occasional banjoist George Condon, decided to turn their on-again off-again music hobby into a full-time effort and produce an album. The result, the aforementioned “Getting a Rusty Tan,” is an exemplary studio effort, with such tracks as the syrupy, recorder-laced “I’m Still Sane,” the haunting, trance-like “Only the Dead,” and the jazzy, bar-piano groove of “Wallflower’s Lament.” The range of influences and styles that the band displays (including but not limited to the classic rock of the Kinks and the Who, the simplistic catchy garage rock riffing of early Black Keys efforts, the minor-key daydreams and vocal melodies of the Moody Blues, and the jolting punk rock of the Dead Kennedys) keeps the album sounding fresh at every turn. The common threads that keep their debut effort consistent are the creative interplay of George and Scott’s guitars, with each member taking turns at lead throughout the work (and occasionally within the same song, as in “Girl Next Door”) and the detached humor found throughout the lyrics, which keeps songs that often deal with frustration and failed relationships from feeling whiny or self-absorbed.
When the band started playing out to support the album, many of “Rusty Tan’s” straightforward, up-tempo songs became immediate live staples, such as “Big Brother,” “Don’t Lose Your Sleep,” and “Excuses.” However, many of the album’s more subtle, studio-dependent cuts necessarily got left behind. As the foursome, now rounded out by a rhythm section consisting of bassist Ryan Bell and drummer David Condon, shifted their focus to playing more and more frequent shows in New York and Connecticut in addition to their home state, the goal for the next effort became making an album that maintained the same creativity as the first, but with songs that fit more comfortably into the band’s set lists. With “Recycled,” this was accomplished in large part by working many of the songs’ arrangements out live before recording them. The band’s sense of discovery is still intact, but the band has already figured out how these songs will translate live, instead of releasing the material first and playing catch up.
You can download Scrap Iron Sun’s first two albums here, and you can catch them playing songs from both of their albums, as well as a handful of cover songs pulled from their many influences and favorite artists, as they trek across the area.

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released May 1, 2012

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Scrap Iron Sun West Springfield, Massachusetts

Formed in 2008 by vocalist/guitarists Scott Cleveland and George Condon and rounded out by bassist Ryan Bell and drummer Dave Condon, Scrap Iron Sun have released two albums (“Getting a Rusty Tan” and their latest, “Recycled”) that both play to the band’s strengths—namely, catchy rock and roll songs with clever lyrics—and stretch the limits of their creativity at the same time. ... more

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